Zombies have dominated film for decades and more in shambling hordes since their debut on the big screen. The Walking Dead, one of the quintessential horror villains, has persisted in popular culture for more-than a half-century, appearing and developing in new forms, eating away at the collective mind. A zombie is inherently unsettling because they are neither dead nor alive and are a friend turned enemy who lacks consciousness, and they get filled with the fear of cannibalism. However, Zombie Movies may also be interpreted as metaphors since they can stand in for the fears and foes of each particular year.
Dead Alive – The Best Zombie Movies
Before he was associated with grandeur and Hobbits, Peter Jackson was a cult horror filmmaker who worked on such low budgets that a little $3 million New Zealand horror film about a child and his zombie mother seemed luxurious by his standards. It’s possible that Jackson went all out to create one of the greatest B-movies since “Dead Alive,” also known as “Brain Dead” in its original nation, was his final splatter movie before he moved into more respectable cinema with the critically acclaimed “Heavenly Creatures.” A young guy is forced to face his abusive mother after a hybrid rat-monkey bites her and transforms her into a zombie. It’s a hilarious and ridiculous plot that allows Jackson to show off his gory and bloody humour.
Dead Snow
Tommy Wirkola merged the two most iconic types of villains in movie history in his Norwegian comedy-horror, which helped popularise the idea of Nazi Zombies at the same time that it became a Call of Duty mainstay. A group of students who are spending Easter vacation in a wintry Scandinavian chalet unintentionally cause the army of zombie Nazis to emerge by tampering with a chest containing gold treasure. The idea gets based on stories of Nazi fascination with the occult, but it also joyfully exploits the possibilities of its blatantly corny notion. After the survivors equip themselves with power tools, the white material swiftly becomes crimson in a burst of campy shlock in Zombie Movies.
The Girl with All the Gifts
Colm McCarthy’s adaptation of Mike Carey’s novel is a clever and cerebral reimagining, complete with genre thrills. It takes a lot to craft a fresh-feeling Zombie Movies. In this instance, a fungal infection reminiscent of The Last of Us is to blame for the zombie state, as it has transformed a massive number of people into “hungry.” But that’s mostly kept in the background for most of the narrative, which centres on Melanie, a small child learning oddly from Gemma Arterton’s instructor Helen in a massively armed institution. Melanie, a “second-generation” hungry person who can think and feel in addition to her need to consume human flesh, may be the key to the future.
Little Monsters – Zombie Movies
This Australian zombie-outbreak comedy, which get primarily set in a children’s petting zoo and stars Lupita Nyong’o as a ukulele-playing nursery teacher, will appeal to you if you appreciate splatter and dark, edgy humour. David (Alexander English), a shattered guy, is introduced to us. He develops feelings for Nyong’o, his five-year-old nephew’s teacher and he goes to the petting zoo with his class, where they run into a group of zombies and must fight to survive after an incident at a nearby American military post. He is pursuing his crush. The film’s writer-director, Abe Forsythe, manages to wring something rather endearing out of the story among all the gore and guts, demonstrating that there is still hope in this genre of zombie lumberjacks.
One Cut of the Dead
To say too much about Shin’ichiro Ueda’s picture would be to spoil its delightful, happy surprises – but suffice it to say that if the first few minutes feel like a particularly rickety horror film, it’s intentional. When real zombies attack the set of an inexperienced filmmaker trying to produce his Zombie Movies, chaos breaks out. What comes next? You’ll have to check for yourself, I suppose. But it’s a picture that brims with creativity, one that shows genuine heart while managing to reinvent the zombie genre in whole new ways.
28 Weeks Later
Similar to James Cameron, Juan Carlos Fresnadillo deftly abandoned the isolationist fear of his 28 Days Later sequel in favor of a full-fledged embrace of the zombie apocalypse, envisioning an action-packed warzone in a zombie-infested England. While the sequel’s Black Hawk Down meets Romero action doesn’t quite approach the opening sequence’s intensity of unadulterated terror when Robert Carlyle abandons his family to the hordes, it still has enough gristle action to make up for its faults in Zombie Movies.
